The work not only displayed the 27-year-old painter’s technical proficiency and admiration for old masters – Dalí sported a pointed moustache in later life partly in tribute to Diego Velázquez. Yet it was these neighbouring mountains, in particular the craggy Cap de Creus peninsular and the nearby Mount Pani, that can be seen in his best-known work, painted while in this fishing village, which would make this poor artist a star: The Persistence of Memory.ĭalí created the famous work in 1931, completing it in August of that year. Penniless and outcast from the community which had inspired much of his art, the painter and his wife settled in a small fishing settlement, Port Lligat, buying a single-room fishing shack, where, “they had to suffer the damp walls and could mountain wind, the ‘tramontana’ which assails the region during the winter.” What’s more, this excommunication extended beyond his father’s house, as Robert Radford explains in our monograph, “a man of local influence let it be known that the ban extended to the whole village, and when Dalí insisted on returning he was snubbed and ignored in the streets.” This was hardship enough for the scandalous young painter, who, although part of the new Surrealist movement, had yet to find decent patronage among art dealers. On 28 December 1929, Salvador Dalí’s father threw the 25-year-old painter out of the family home. The Persistence of Memory (1931) by Salvador Dalí Salvador Dali's The Persistence of Memory explainedįind out how the Spanish Surrealist went from penniless painter to toast of the NYC artworld in one single canvas
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